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If you are curious to dive into the world of influencer marketing,

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especially getting the right influencers in your

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corner so that they can help you promote your brand and your

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business, this episode of the Mindful Marketing podcast is

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for you. But before we dive into this fantastic conversation with Sherri

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Langburt, first, a word from our sponsor.

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off your membership. I'm excited for this conversation

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today because I have been on both side of sides of the aisle as an

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influencer and as a marketer, and I'm excited to get into what's

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working here now in today in 2025 with influencer marketing. And

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with that, Sherri, welcome to the show. Thank you so much,

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Andrea. Nice to meet you. Thanks for having me. Yes. I'm really excited for

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this conversation. But to give our listeners some context,

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tell me, how did you get into the world of influencer marketing?

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K. I kinda stumbled upon it. I was working corporate America,

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way back when, and, kind of one of the things that I

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was working on was ad sales. And our business was

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really subscription focused. And as I started to

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kind of explore ad sales opportunities, a lot of the

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brands were looking to work with influencers. And

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so we put that into our fold, and it kinda started to work

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really well. And that's when I said, I am gonna go break out on my

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own because no one is doing this and no one is focusing on it. And

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I'm gonna start an agency that focuses on helping

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the brands and the agencies find the right influencers

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to do their content promotions. Yeah. I love

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this. And I feel like people think, you know, influencer marketing is

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a new thing, but brands have been using other people to

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promote their content and their their products for a while. But for those

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people who are listening, how do you how do you define an influencer?

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What is an influencer? I mean, look. I think that there's

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different ways to define, and I think everyone has their own definition.

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Certainly, if you're looking at a TikTok or Instagram or a Pinterest or a YouTube,

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it's gonna be very different from the type of influencer that you find on

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LinkedIn. And I think that it's also very different if you are

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in pharma or finance where there's high like, highly regulated

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industries versus beauty or food or fashion.

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So but, you know, in the industry, I think, you know, there's

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different thresholds. So there's, like, the nanos, the micros, the macros,

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the megas, and all the way up to celebrities, and those are different thresholds.

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Most people would say a nano is someone who has a

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following on any of these given platforms of over 5,000

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followers. Some would say it's 2,000. I personally think it should

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be 10,000. So anyone upward of that, and

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then the tiers start happening as you go higher.

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Okay. I wanna get into this because I feel like the world of

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influencer marketing has changed a lot. So for context, I used to be

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a fashion blogger. I worked I would say, like, if I were gonna

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name drop, I worked with Steve Madden, like, in 2012. So

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this was, like, this was, like, at the time, it was weird. My

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friends were like, what are you doing? How how do you have photos with Steve

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Madden? Right? And I'm like, oh, I just have my little blog and my YouTube

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channel. I think it's changed so much

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over the years. Right? So, you know, if we're taking

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2012 to today, like, what are some of the changes at influencer

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marketing that have happened over the years?

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Interesting. It's, like, when you start to think about what's going on right now with

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TikTok. Right? I think back then, because I've been doing it

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even longer than two twelve 2012, blogs were still a

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thing. And long format content in a blog and the beauty of that

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was there was not just the written and the video that you could put in

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there, but there was placements for programmatic. So but

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you owned your channel. TikTok, like, wasn't a

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thing. Pinterest was still kind of a thing. Like, people loved

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Pinterest. And so I think, you know and I think that

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static was still much more of a focus than

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video. So there's just so many things that come into play. You could also look

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again at the different verticals and industries. You know, people

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certain industries have been later to the game. I think we've gotten very niche,

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very specific, in terms of, like,

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before it was like, oh, we need mom bloggers or mom influencers or

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mom creators now saying, we need women who live in Chicago who will eat

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organic and have, you know, a blue cat and, you

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know, three boys who, you know, don't eat meat.

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It's so specific now, because there's so many

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creators, and I think you have to when we talk about, you know, these buds

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where it's like the the content has to be authentic. Well, you

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know, if you wanna do a campaign and you're a retailer, but the influencer that

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you choose shops at your competitors, that's not authentic. So there's a

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lot more that goes into it than just, you know, we need a mom

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influencer. Yeah. It has changed so much. And I

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think for the better because I think, you know, brands can get,

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these influencers that are their their communities are so bought in. Like,

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they're so tuned in. It can make or break a a brand.

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So when you and your company are kind of, like, looking at these influencers,

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how can you tell if they're they actually have influence? Because I've been on

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these Internet streets for a while. I know people could buy followers. So how do

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you tell if they're, like, actually influential? So you look at the

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engagement rates. Right? And you could look at, you know, a like

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to me is a vanity metric. So anyone scrolling

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I have a a big heart, so whenever I see anyone post I'm liking,

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I might not even look at what they're doing. And that's just me as a

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human. Right? So I think you look at the comments, and even if

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they had, you know, great amount of engagement on the comment side,

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are the comments relevant? So if I'm talking about, you

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know, a new, you know, protein shake, but everyone's commenting

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on my haircut, not relevant. So looking

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at the comments, looking at, I think, some metrics that

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people don't look into, and you could ask the influencer for this, is previous

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content that they shared. Not just the comments, not just the likes,

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but the saves, the reshares. Because the saves

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show how many people had intent to go back, maybe attempt to

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purchase. The shares show, like, how many people thought that this was

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engaging enough to circulate with other people, so the viral nature of the

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content. You could also look in stories if there was links or, you

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know, kind of those stickers. So sticker taps, link clicks. I think

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it's everything that you have to look at and not just, like, right

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up front what you're seeing as as a as an onlooker from their stats.

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Yeah. And it's definitely gotten more complicated too, both on

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the influencer sides and the brand side of, like, looking at those

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success metrics. And I think one of the challenging things is,

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you know, the you mentioned, like, niche communities.

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Sometimes the niche communities can at first appear

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smaller, but they they're very influential. And you

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mentioned, you know, with this nano all the way up to celebrities. So, you

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know, when a brand is looking at you know, should we go with a bunch

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of nano influencers, or should we go after, like, a bigger influencer?

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How do you decide the mix between the smaller, like,

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niche communities and the larger, like, more seemingly

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impactful influencers? So

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I'm, I think it obviously boils down to your objectives and your

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goals, and every brand is different. But as a marketer, I

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look at, if I could get one person who's gonna create

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one set of content and reach one audience

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versus, let's just say, one is the same amount of, you know,

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financial investment as 10 or 20 or

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30. But I should get those multiple people that add

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up to the amount of followers and engagements and as the

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one, why wouldn't I want to have diverse content,

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multiple sources of content, different formats of content, reach different

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audiences, etcetera? And so that's kind of where I look

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at it. I think it's not that one performs

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better than the other in terms of just the reach. It's everything else. Are

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your goals to get more content? Are your rules to goals to tap into new

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audiences? Are your goals to reach people throughout the country in different locations, different

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voices, different interests? Maybe within

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the same niche, but a little bit different. I think that's why I'd always go

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for the more versus the one. Yeah. Yeah. I I definitely see

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the beauty of that too. Even from, like, a brand perspective now, you have so

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many more assets to be able to, like, circulate around Yeah. Like, your

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community and all of that. Yeah. Yeah. Yeah. So speaking of

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UGC, what do you see working really well right now?

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Because I think that engagement's down across the board. Like, we all can

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see that, especially on our beloved Instagram. It's just not like it used to

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be. So what what are, like, the types of content UGC

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pieces that are working really well right now? I don't know if it's

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just necessarily the UGC. I think it's also little touch points.

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Right? There's little places that people aren't leveraging,

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like making sure the content is in your highlights. If

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you're hiring an influencer, have that in your contract for a few days or a

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week. Making sure they don't remove the post after they got paid.

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Right? So making sure it stays up there. There's a little notes feature.

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There's all these different areas. Link in bio. I

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think that there's all these different areas that are small, tiny

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touch points that can end up helping optimize

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optimizing the content more or

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showcasing it, like, referencing it more is what I'm trying to

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say. You know, obviously, you look at

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something like TikTok and how it impacted and all these trends. I think

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we're gonna go away from those sounds and those trends a little bit, and it's

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gonna be more meaningful content. So more the educational, more

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the experience of me and my life and how I live my

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life as opposed to, like, you know, a wee you know, a cute song. I'm

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not saying they're gonna go away, but combination of some of

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these touch points that no one is it's all the little, you

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know, kind of toggles you could turn to make something work

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even more. Yeah. Yeah. I totally agree. And I think this

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just goes for, like, marketing in general. Like, there's so many

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different places where you can connect, so might as well use them all to your

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advantage. Okay. So when we think about working with influencers,

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one of the things that was frustrating for me when I was working for with

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influencers is that it really is like relationship

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management. Right? Like when you're when you're working with someone, you're

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partnering with them, and there's a lot of trust involved there.

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So when brands are looking at building those relationships, building trust

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with influencers, what are some of the things that brands can think about as they're

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starting to go down the path of working with some of these

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influencers? So, obviously, given creators are creator because

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they're creative. Right? And so giving them that freedom,

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one of the things that we see that works really well is collaborating with them

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in terms of the content. So giving us concepts in

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advance so that you go back and forth and it's a mutual

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dialogue. Because I think what creators have to realize too is

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sometimes, if there's 10 creators on the campaign, everyone's submitting

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the same idea for a recipe, like a poke bowl idea for a

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rice bran. And so it's not that the brands are trying to get

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pushback. It's that they definitely don't need 10 pokeball

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recipes. It's hitting the same thing. And so giving the creator

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you know, I think it goes both ways, giving them some flexibility and

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creative control in terms of submitting concepts, but also on the

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creator side, you know, really understanding that it's not

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that the brand is trying to give you pushback. We do sometimes see brands that

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are just you know, we don't like what what the influencer's wearing,

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but that should be in the upfront. Like, a brand should kind of if you

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don't like what she's her her aesthetic, it's personal, it might

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not be on brand for you, then you shouldn't, you know, kind of engage with

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them. So I think giving the influencers the

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autonomy to do creative, but having parameters in control and letting them

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know why, as long as you let them know the why. Like, we're not trying

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to be too rigid. We just have different creators submitting ideas, and

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we wanna make sure we have, you know, a broad, you know,

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pool of options from which to choose. And also, another

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thing is, you know, what we always have talked about, like, these ongoing

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partnerships. So, you know, instead of just working, like, one and done, we need

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you for this, have that ongoing relationship with the influencer.

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So maybe it's that you do an always on program with the influencer,

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you know, during key seasons or, you know, four times a year

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so that they know in advance that their year is as a partner

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as opposed to just like, you know, we need you and, you know,

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next up, we're gonna go with someone else. Yeah.

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Yeah. I find that interesting, like, the long term partnership piece

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because I find myself, just like as a human, gravitating towards

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people who talk very consistently about the things that they love. Right? And

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so when, brands can find those influencers

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who are already kind of having those conversations, I think that really does make

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it, you know, mutually beneficial. What

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about from the influencer side? I'm just curious, just

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wanna be a little bit nosy too about this because I think

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influencers have to also be selective about the brands that they work with. So

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what are what are the some of the things that brands can do to make

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their products interesting enough that, you know, the top influencers,

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top creators wanna work with them. I need to say one thing before

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because it highlights for both. It's a bridge. I see a lot, you know, when

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you're not working with an agency and you're an influencer and you're an independent,

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and then your bill doesn't get paid for the

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thirty days, the six whatever the terms are, the sixty days, the ninety days.

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And I think everyone should just understand that most influencers are, you know, solopreneurs,

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and they don't have a legal team to go chasing a bill, making

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sure you pay your bills on time, because it really impacts the like,

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I'm gonna cry like, it's just so heartbreaking to see that and I get

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it. You know, huge multi conglomerate, one influencer's

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invoice is getting lost amidst bigger payments that have to go out,

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but being sensitive to the

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creator environment and that, you know, these people, you know, are working with you

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and for you when they need to get paid on time. Some of the

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one of the things, you know, in terms of how do you make your products

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stand out, I think merch. I mean, you started to see it the

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past few years, but merch is just and I see it

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not just like everyone thinks like, okay, I'm gonna create a water bottle. Bottle. It

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doesn't have to be a water bottle. There's so much creative. Or if you're

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a service brand bringing things to life with merch because

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think about finance. Like, what am I gonna show that's really so interesting in

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finance? There's nothing, you know, and there are

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things. Like, we've done little baby onesies for an insurance brand.

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So the moms with life insurance, it brings it to life. I

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think anything that you could do, we have to understand that the world is

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so visual right now. And even if you're a brand that

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maybe doesn't have a product that is visual or as a

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compliment to a product that is visual, you know, adding that merch is

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great. We do the custom boxes, not just for the

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unboxing experience, but for the the staging

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properties within the kit. Because when an influencer gets

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a kit, they have all this other unique items that create that

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whole experience and gets them excited, and then their photos and their videos

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are more elevated, etcetera. So so those are some of the things that we're seeing

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that really move the needle in terms of, you know, kinda

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making things stand out. Yeah. I I always love a good

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unboxing. I'm always the one who, like, if if my faithful influencer

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is unboxing, I'm watching it. I'm watching the whole thing. Like I wanna see

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give me the packaging, like let me hear the crinkle, I need to

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experience it. And I think it is like you said it's a

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very sensory experience no matter if you have physical

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products or not. But one of the things that you mentioned that I'm curious about

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too is, like, photos and videos. Is there a particular

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style of content that's working really well right now for influencers?

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Is it all video or are photos still are they still alive

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and well? Well, Instagram just came out with the new algorithm,

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like, the big reveal of how their algorithm's gonna work. I think it dropped this

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morning. And so I think it's it's really gonna focus on

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video. Personally, again, it goes back to the brand and

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what they need. We have brands that reach out that they still need

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the static because they're using that static for other things.

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Right? They need it for ads. They need it for their website. They need it

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for product, you know, product books, things like

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that, sales kits. So it really depends. One of the things

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that I think so many companies think about or

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focus on is we need the social awareness. But I'm always pushing, like,

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omnichannel. Right? How do you like, influencers is not

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just like, oh, what's the ROI on influencer? But that's only when you look at

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it with from through the lens of, like, how many how much awareness

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and how many sales am I getting? But if you really look at it, like,

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how could we take the influencer content, which technically is

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elevated, and drop it into various other parts of

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marketing, A, the consumer journey is gonna be much more

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cohesive and you could save money because you're not gonna be like someone's not gonna

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be sitting there saying, Oh, I need to go buy an image from whatever

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platform they use to buy images or videos on. There's so many other use

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cases. So I think looking at it through a more holistic lens

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through the entire marketing organization is important. Yeah.

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Honestly, to me, that's one of the biggest benefits of working with influencers is

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that you have a team creating content for you that you can

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then leverage in other elements. When I was working on this on the agency

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side for this, one of my biggest clients was a product, like, a beauty

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brand where we would do photo shoots. We would do the

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style video shoots, but those weren't the top performing content pieces. It was our

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UGC from our influencers that would drive

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the the content forward. So we were, like, repurposing the heck out

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of it because it made the most sense from a brand perspective

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and not just on social, but, like, on the website, in the emails. Like, there's

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so many different ways you can leverage these assets, especially, you know, depending

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on how your contracts are laid out. Like, there's so many different things you could

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do as a brand with that influencer content. So yeah. I mean, you paid for

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it. Might as well use it to the its fullest extent. Right? Right.

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Yeah. So when we're thinking about that, like, headed into

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this upcoming year, one of the biggest things, I think challenges that

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brands are bumping up against is, like, the AI conversation.

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So what what are influencers what are brands doing to

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mitigate the risks of AI? But then, also, I would love to hear

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about, like, some of the benefits of AI in influencer marketing as

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well. You know, I think that you have to make sure

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that the approvals and checkpoints are in place to make sure that something doesn't

326
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look you know, it's just like my 13 year old. He comes home from school

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and he thinks he's gonna pull one over, you know. And I know when he

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uses AI and the teacher knows when they use AI and, you know, there have

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to be checks in place. But I do think it has

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merit, right? You're stuck on creating ideas for your

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content calendar. You could be really specific. I don't think

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anyone is gonna go out and copy exactly, but it's an

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idea generator. It helps you think of ideas. It helps

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you check your work. So you could put in, you know, a guidelines

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from a brief and then upload, you know, the caption copy and say, does this

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make did I miss anything? Can you edit this? I think it's a

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good kind of tool in terms of idea generation

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and editing and things like that. But I don't think I think the

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influencers themselves, they're not gonna start replacing themselves and

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replacing real footage with fake footage in an

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full video because this is what they do. Yeah.

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Yeah. A %. And I think AI can feel

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scary. And, yeah, there are some people who are, like, using it maliciously. But I

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think for the most part, like, if we learn to embrace it and use it

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as a tool to help us with our creative work, it could be it could

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be really interesting use case. And I think there's just so many ways

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that we haven't even explored yet, like, the the true extent of

348
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how it can help. You mean someone put in my name

349
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into some I don't know what platform and said, can you create a BabbleBox

350
00:21:31,774 --> 00:21:35,534
podcast that would be five like, the thirty second intro? And it was like me

351
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talking, introducing a podcast.

352
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Wild. Yeah. Well, time will tell. Time

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will tell. I'm not doing it, but I'm just saying it's like, I don't know.

354
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Yeah. Yeah. I really hope we don't have AI influencers,

355
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but I mean, I already see it happening.

356
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So yeah. Okay. I would love to

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hear some success stories as well. So I think one of

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the challenges, especially for brands who are newer

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to influencer marketing, is that sometimes we can't conceptualize.

360
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Like, what does success look like as we're starting to deploy some of

361
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these strategies? So can you share an example of a campaign that really stood

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out to you where the influencer had a an impact on

363
00:22:18,985 --> 00:22:22,825
the brand's success story? I'm gonna give you two because I just did a

364
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campaign wrap up call with the client. So we have a program that we designed

365
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specifically for smaller emerging brands because we know influencer can be

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daunting and expensive. And so we do these themed

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boxes where there's five brands in a box. Not

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brand specific, it's a theme. So we just did a kid's toy one for

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holiday. And that campaign, it's

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less expensive because you're pooling your ad dollars. It goes up to 20

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influencers. So you're getting a lot of bang for your buck. They're all micros.

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But when we looked at the stats, there were like

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a hun like, beyond it's not just the

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impression reach. It was the views were over, like, 300,000

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views. The likes, the comments were over fifteen, sixteen,

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17 thousand. I mean, it was outrageous. So I think, you

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know, looking at, like, different creative

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ways to do influencer, that's one example.

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You know, I I think you have to also frame it. You know, a lot

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of times, a newer brand, an emerging brand, everything is ROI

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focused. They're dependent on that sale. And so if that's

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where you are, that's okay. But then I would just focus on

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working independently, find one or two people, search for people who

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actually know your brand maybe or writing about your brand, and work

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with one person and grow it organically until you get to two people or

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three people when you could afford it. I think the misconception is I'm gonna work

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with one influencer, and they're gonna get me this many sales. And once you

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think it's just sales driven, it's not just sales driven. As I said

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before, there's so many other ways in which

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an influencer can move the needle for you. So they're saving you in

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terms of creating your own content now. All you have you have a content library.

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You know, you could use these assets. You can boost an influencer's content. You could

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turn it into ads. You can use it for your website, your newsletter, you

394
00:24:13,965 --> 00:24:17,485
know, ratings and reviews, endorsements. Like, look at this

395
00:24:17,485 --> 00:24:21,030
influencer who worked with us. So I think thinking of creative

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ways, and I'll give you an example. Like, on smaller spends,

397
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you know, if you spend you know, it's not gonna be if I spend

398
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$5,000, I'm gonna get $15.20, $30,000. You have to think

399
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of other ways, in which you're gonna

400
00:24:36,645 --> 00:24:40,245
monetize that content. I'm not saying it can't happen. It

401
00:24:40,245 --> 00:24:44,005
does happen. But, you know, repeating

402
00:24:44,005 --> 00:24:47,730
a message over and over, especially when you're a smaller brand and no one

403
00:24:47,730 --> 00:24:51,410
knows who you are, is really Yeah. And I

404
00:24:51,410 --> 00:24:55,250
think that's one of the beautiful things that I love about influencer marketing is, like,

405
00:24:55,250 --> 00:24:59,010
it's not us patting ourselves on the back going like, oh, our product is awesome.

406
00:24:59,010 --> 00:25:02,774
It's like someone else, like, validating that for our for

407
00:25:02,774 --> 00:25:06,075
us and in our marketing. And I love this idea of the curated

408
00:25:06,695 --> 00:25:10,375
box, like, influencer box. It's such a

409
00:25:10,375 --> 00:25:13,654
brilliant idea. Beautiful. I love it. So if someone's listening to this and they're like,

410
00:25:13,654 --> 00:25:17,492
okay. I need I need to work with Sherri and her team. Tell

411
00:25:17,492 --> 00:25:21,201
us more about how you help brands and influencers work together. So we

412
00:25:21,201 --> 00:25:24,909
work on the brand side. Right? We have thousands of influencers, but we

413
00:25:24,909 --> 00:25:28,618
work on the brand side. We do brand dedicated campaigns, which is what

414
00:25:28,618 --> 00:25:31,915
probably everyone knows and sees the locks. Right? A regular influencer

415
00:25:32,054 --> 00:25:35,595
campaign. We have our co promotions, which are these themed

416
00:25:35,895 --> 00:25:39,575
multi brand solutions. We have all different boxes: food,

417
00:25:39,575 --> 00:25:42,934
new mom and baby, pet, kids, health

418
00:25:42,934 --> 00:25:46,700
wellness. Those bring in five non competing brands. And then we do

419
00:25:46,700 --> 00:25:50,540
the custom kits too. But essentially we're working with

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companies or the agencies to come up with the strategies, find the

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right program, make up the whole kind of

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scope of work for what we're gonna do, and then we find the influencers that

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00:26:01,495 --> 00:26:05,175
fit the specific need that we're looking to do. Yes. I

424
00:26:05,175 --> 00:26:08,775
love this. So if you're listening to this and you wanna work with BabbleBox, I'm

425
00:26:08,775 --> 00:26:10,695
gonna put a link in the show notes online

426
00:26:10,695 --> 00:26:14,400
dreya.com/350 so you can learn more. Where

427
00:26:14,400 --> 00:26:18,160
else can people connect with you online? I'm on LinkedIn under Sherri

428
00:26:18,160 --> 00:26:21,380
Langford on LinkedIn, and then BabbleBox is BabbleBox

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00:26:21,520 --> 00:26:25,185
official on LinkedIn, on Instagram, and all the other

430
00:26:25,265 --> 00:26:29,025
channels as well. And then our website. Oh, awesome. Awesome. I'll put all of those

431
00:26:29,025 --> 00:26:32,225
links in the show notes, y'all. Check them out. Sherri, thank you so much for

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being on the show today. Thank you so much. It was so lovely chatting with

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00:26:35,665 --> 00:26:39,115
you. Yes. And thank you, dear listener, for tuning in to another episode of the

434
00:26:39,115 --> 00:26:40,255
Mindful Marketing Podcast. Make sure you join us in the Mindful Marketing Lab if you

435
00:26:41,480 --> 00:26:44,679
Marketing Podcast. Make sure you join us in the Mindful Marketing Lab if you wanna

436
00:26:44,679 --> 00:26:48,360
go even deeper into these marketing strategies. We have a special

437
00:26:48,360 --> 00:26:52,200
guest coming in the lab this month to talk all about playfulness in

438
00:26:52,200 --> 00:26:55,845
marketing and in our business, so stay tuned for that. And I'll have a new

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00:26:55,845 --> 00:26:59,365
episode for you next Tuesday, so I'll see you then. Bye for

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00:26:59,365 --> 00:26:59,865
now.
